Less than 10 yards...

Not quite Fabric Parity, but it'll do. I'm not going to sew today, so the 2005 totals will stand at 112.25 yards out and 121.5 yards in. I really wanted to get to within 10 yards, so I made 2 pairs of lounge pants from the Burda One Seam pattern yesterday...one from flannel and one from black sweat shirt fleece. I'd been intending to make them for ages and ages but other, more glamourous projects kept getting in the way. So I wasn't just trying to 'make something quick'...I was trying to 'make something quick that I actually need'.
For comparison, in 2004 I purchased 110.5 yards but only sewed 78.5, so I've improved considerably. My goal for 2006...actually sew more than I purchase. Wow, what a concept...

BTW, Happy New Year and a healthy and prosperous 2006 to everyone!

Got 'em Done!

All four pieces! I'm not going to re-review the top for DD...I don't think...I might change my mind. I did review the Today's Fit T, and I will review the other two pieces today. It was after midnight before I got access to the computer last night and I only managed to write one review before my head hit the keyboard.

Now I'm thinking about cranking out a couple of pairs of Burda One-Seams in flannel or fleece for lounge pants...just to bump the 'yards out' total a bit more. ;)

Striving for Fabric Parity

But I'm not going to make it this year. Close, though, I'll be very close. If I finish out the 4 knit garments I cut out on Tuesday I'll have moved 109.5 yards out this year while acquiring 121.5 yards. That's only 12 yards away from FP, and I have a ratio of out:in of right at 90%. It's much closer than I have been at any time since discovering I could buy fabric via the Internet. I guess I'm recovering!

So I am holding off on ordering SWAP fabric from Timmel Fabrics until after Jan 1. Maybe I'll hit Fabric Parity next year. ;)

Can I do the Cadeau?

Ok, so I've downloaded and printed the Cadeau T Shirt from Hot Patterns and actually thought I'd see about making it. It just so happens that I got a really cool black and white stripe rayon/lycra jersey from Louise Cutting at the ASG conference in Nashville last summer, and I envisioned actually making the top on the pattern art. So I taped together the front, back and sleeves and decided to compare them to the only other raglan T I've made lately, the Santa Monica T from Textile Studio. Whoa, mama! I used a Medium for the Santa Monica T, but as you can see in the photos, even the size 6 on the Cadeau is considerably bigger overall. Hm. I know the necklines are different, but that's not what I'm really looking at...the bust level, at the bottom of the sleeve-bodice seam, and the hips, and the width of the sleeves all look to be much bigger than I expected...since I should use a size 12 according to the size chart at HP.

Not cutting anything yet...I think I'll go re-read the Reviews again....

Patch Happy

Or maybe I should title this "Reclaiming Blue Jeans?" There was a HUGE pile of to-be-mended jeans monopolizing the sewing nook...not surprising, since I hadn't had time to do any sewing at home for ages. Younger DD can't seem to wear a pair of jeans without ripping the knees out...I had SIX pairs of jeans to patch for her. She even outgrew one pair while it was waiting to be mended. I also had a castaway pair of jeans for older DD that was a puchasing mistake laying around. So, yesterday I just sort of hung out in the laundry/sewing room and cleared the whole lot out. Mostly it was just straightforward patching, but for younger DD I did try to be creative, trimming the jeans in heart and star shapes on a couple of pairs and leaving edges to fray up in the wash...they'll look just like the RTW jeans I saw at Goody's and Burlington's when I was looking for a pair of jeans for her for Christmas. It took just a little longer, but they look very cool and she loved it. I guess that'll make up for letting her wear raggey pants for the last month. Every pair of jeans the child owned had holes in the knees.

Older DD's jeans were a different story; I ended up cutting off the top of them and using it as a yoke in a rather unique skirt...but since I already wrote it up, you can see the review and the picture here:
Salvage Jeans Skirt Reveiw

Today: budget work

Happy Boxing Day

Sometimes I think we Americans could do with a little lesson from other countries, who start their celebrations of Christmas on Dec. 24 and don't really stop until Epiphany. Instead of having to do *everything* on Christmas Eve or Christmas Day, we could spread things out a bit. Actually, in years in which we traveled to family in Indiana, we spread the holiday out over at least a week, doing our own gift giving on New Year's Day. It runs really counter to the culture, though. It's hard to maintain the Christmas atmosphere when the neighbors have already hauled their dried up, tinsel-trailing trees to the curb for pickup. But our tree is still up and lit and will remain so until the kids go back to school...which is a couple of days before Twelfth Night. I can ignore the trees in the gutter, but back to school just can't be denied.

But, for the next 9 days, we'll be doing family time...which is really a great way to celebrate Christmas, anyway.

Merry Christmas!

To you and yours!

Christmas Eve Sewing

Not mine, my mother's. And not this year, but many years ago in a little house far away. I'll guess I was about 7 or 8, laying in bed awake long after bedtime. Crying into my pillow, in fact, because I *knew* Santa wouldn't come if anyone in the house was up and about, and my mother was sewing. And sewing and sewing. I'd doze off, then wake up to still hear the hum of the sewing machine. I listened for sleigh bells, afraid to hear them because, of course, Santa would pass us by since Mom was still up. When I finally did fall asleep for the night, at who knows what time (as a kid, I was sure it was Very Late, but it may only have been 10:15...who knows now?) the light was still on and the sewing machine was still going.

And to think I credited Santa for the handmade doll clothes I got the next day...

Catching up

Laundry, budget, housecleaning...

And I'm itching to sew! Christmas shopping for younger DD yesterday, I found some cool gauchos, but nothing in her size. So I drove home mentally adapting a pattern for them. You'd think I'd be sick of sewing at this point, but nooooo.

Unfortunately, you can only put off things like laundry, budget, houscleaning, for so long...and the older kids are expecting to bake cookies today...

Sigh. The sewing will have to wait.

"Talent" vs. "Skill"

Just a few thoughts that have been roaming around the last few weeks....
There have been a number of folks who have complimented the costuming, making remarks about me being a 'talented' seamstress. That's struck me as odd, because, according to my perception of 'talent', I am none of it. 'Talent' has always denoted to me a God-given ability, so that it is something that comes very naturally and needs only to be focused and directed in order to be remarkable. That's easy to see in something like art...there are people who have sufficient eye/hand coordination to draw a recognizable picture, while others (including me) can't even draw a straight line without a straight edge to help. I think sewing is the same...even as a 10-year-old kids in 4-H, there were a few who seemed to just naturally sew a straight seam, who could manipulate the fabric as desired without frustration, who could tell what fabric would work for a garment and what would not. I was not among those. As I grew up sewing, my seams wavered, my corners knotted, my fabrics were so cheap and ugly (well, it was the 70's) that my clothes screamed 'homemade'. I never noticed that the green-and-white poly doubleknit gingham with the daisy print superimposed on the checks, from which I made a skirt, pants, and bolero jacket that I wore for years, had no equivalent in any Ready-To-Wear. At least I was a pretty standard 8/10 in those days so fit wasn't an issue...but I would've been oblivious on that, too. I was a solid red-ribbon seamstress all the years I was in 4-H. Nothing remarkable.

But I did have one thing that I suppose was not common and that was an interest in making my own clothing. Frustrated with RTW prices, I just kept sewing, even though it was only so-so. It was the year I turned 30 (16 years ago, if you're keeping score) that I decided I needed to sharpen up my sewing skills. I actually went through a bit of a personal identity crisis...hey, I'm 30 YEARS OLD! I should be GROWN UP now!...that motivated me to do some personal growth reading. One of the books I read was Anne Ortlund's Disciplines of the Beautiful Woman. That book rocked my world and even though I've come to disagree with it in places over the years, it still ranks very high on the 'Words that changed my life' list. In the book, Anne wrote that everyone needs to have one thing that they are good at/knowlegeable about. Something they have highly developed. I decided I was going to study up and develop my sewing/fashion skills. So I subscribed to Sew News and began reading, learning, and trying more. That, my friends, is when I began to sew in earnest. Just 16 years ago. That's not talent, that's skill aquired through study and practice. Which is available to anyone who has the interest to pursue it.

Cleanup Time

That's all that's left...but boy, is there a bunch of cleanup! Not the least at home, where I don't think the sound of a vacuum cleaner has been heard since Thanksgiving. But I got the reviews all posted yesterday, before I forgot what I did, and if you click on 'My Reviewed Patterns' on the sidebar you'll see them...the five most recent reviews are all costumes.

And the Christmas packages are all going out in the mail this morning; yesterday was a shopping and wrapping marathon. Still not done, but at least what is left will not have to be mailed anywhere.

But the first order of business on today's agenda is grocery shopping...somehow that didn't get done very well in the last few weeks either and the larder is pretty bare.

And I'm already trying to decide which of my delayed personal sewing projects I'm going to tackle first. It would be so nice to get a few more yards on the 'yards out' total for the year. I'm so close to fabric parity...(current totals: 121.5 yards in/103 yards out...not including any costume sewing)

Whew

Very good run of the production! Estimates are that somewhere in the neighborhood of 4,500 folks saw the show (well, that's the audience count; I'm certain there were a large number of repeats from our home folks) and it was very well received. I don't have to worry about sorting the costumes for cleaning until after Christmas, for which I am VERY grateful.
Here's the link to the bulk of the output of Ye Olde Dresse Shoppe, but I have to say that I didn't make any single garment all by myself from start to finish...at least one of several different sewing ladies did at least a little on each piece. Miss A even made about 3/4 of my bertha for me while I was sewing the hooks on Belle 10's bodice. It truly was a team effort.

Scrooge 05 Sewing

Closed for the Season

We officially closed Ye Olde Dresse Shoppe yesterday; everything that's going to get done is done. I finished my costume at about 10:30 yesterday morning, so I got to wear it at both performances yesterday and the closing show tonight. I felt much more appropriately Victorian with the whole thing on! But, I'm not sure how to review it; the skirt is from last year's dress, with the front panel replaced. I used the front panel to make a new, separate bodice, and borrowed the bertha pattern from the Belle dress to make a bertha from the contrast fabric on the skirt. The new one fits and feels SO MUCH BETTER!

The Ink Wasn't Dry...

We finished Belle 10's dress at about 4:30 yesterday...a whole 2 1/2 hours before curtain. Miss A and I did a tag-team sewing frenzy; I'd put together one component while she did another; I'd put the two components together while she started the next, etc. Frantic but it worked. Belle 10 came in for her final fitting at about 1:30; I fit it on her w/o sleeves first, to make sure we didn't have tight sleeve issues like we did w/Belle 16, then put the sleeves on it and put it on her again. When she left at about 3:00 I started sewing on the hooks and eyes...and I dug a small hole in my finger w/the eye of the needle (have I mentioned anywhere that we are using some unnamed mystery lining fabric that seems to actively repel being punctured? We've had lots of fun sewing this stuff...but it'll be good and durable, you bet!). But she was ready to go on on time and the dress looked fabulous on her. And, while I was finishing up the hooks and eyes, Miss A made a goodly portion of the bertha for MY dress, which I still haven't worn on stage. Maybe today.

Wouldn't you know, while we remembered to take the digi cam, the batteries were dead and I still haven't got good photos of the finished product. We have two performances today...Belle 16 is in the matinee and Belle 10 is doing the evening show, so I WILL get photos of both girls. I did update my reviews of the Angel 2 robe and the Victorian Gentleman's jacket to include photos of the garments on the actual people, taken opening night; you can click on the 'My Reviews' link to find 'em.

BTW, today also happens to be older DD's 20th birthday. I don't think I'm any less tired today than I was 20 years ago.

Still Sewing....

Everyone is shocked to find that we are *still* not finished w/costumes...Belle 10 goes on tonight and her bodice is only partially assembled. We are putting what we learned on Belle 16 to work, though, and it's going together a bit faster. We're hoping to have it done to the back hooks and eyes by noon so we can try it on her to see where to place those items.

Yesterday, after a bit of discussion (and after I'd studied that photo I posted yesterday), we decided part of the reason Belle 16's dress fit so poorly was that the sleeves were too tight and she couldn't quite pull it up to where it should be. So we took the sleeves off, serged about 1/4" off the armsceye all the way around, took the overlapping bit of the oversleeves off and pulled some of the gathering thread loose to enlarge the armhole for her, and we cut (ouch!) the undersleeve net/lace band and up into the undersleeve a bit to open the band and closed it with about an inch of 3/8" elastic. It fit much better; I was able to overlap the top of the bodice (but not the bottom) about an inch more at the top. A couple of saftey pins and a good tug on the ribbon drawstring at the top and it fit her much better. Of course, I forgot the camera yesterday so you'll just have to take my word for it. ;)

However, the instructions require that the skirt and the bodice be connected w/hooks and eyes...that doesn't work really well on an elastic waistband. We tried, but I think we're just going to have to keep her together at the waist with safety pins.

My bodice is done to the bertha and waistband hooks; don't know if I'll be wearing it tonight or not. It would be nice, wouldn't it?

Opening Night

Poor Belle was held together with prayer and saftey pins; one muslin clearly was not enough to properly fit the bodice on this style. Unfortunately, one muslin was all we had time for. It didn't help that the young lady portraying her had a nasty digestive virus two days ago and probably lost five pounds in the process. I will say, however, that the camera shows the loose fit much worse than the naked eye, and I'm told that, from stage, it looked great. We still have to finish the bodice for the second Belle, who is playing the role tomorrow. I think we can do it ;).

As soon as I get a moment (next week?) , I'll review all the patterns I haven't reviewed yet and add updated photos to the ones I have.

I was surprised at the crowd we had last night; the church was full. Standing in the back of the sanctuary (in my Plan B costume, I might add), waiting on the cue to move into place for the opening, I looked at the crowd and thought 'This is it'...and nealy bawled. I think I was just really tired, but to my amazement I was blinking back tears. I didn't have a tissue anywhere on me, so I couldn't cry. "No, Lisa...you're happy! You're a shopping, singing Townsperson! No crying!" Fortunately I pulled it together but it was a near thing. :rolleyes:

But it was worth it! We received many compliments on the show afterwards, and, most importantly, there were 15 people who made decisions concerning their relationship to Christ, which is why we do this whole thing in the first place.

That is NOT an Oncoming Train!

It really is the end of the tunnel! Show opens tonight, although we expect the audience to be comprised mostly of folks from our own church; the people from the community at large will be here Fri-Sun...or at least that's how it worked last year. Everyone was costumed for dress rehearsal except Belle 10 and me...neither of our bodices are done yet. We wore our skirts and knit tops; very interesting combo. Miss A stayed in the sewing room and worked on the bertha for Belle 16...it's just about finished now, she did a lovely job, so unless the hooks and eyes that close her top are totatlly wrong (and they may be; I've got to put it on her this morning to check) she's just about done. Belle 10's bodice is cut out only, but she doesn't play the part until Friday so we've got a bit of breathing room there. I've just got hooks/eyes and the bertha to do for mine...and I've still got to find a 'suitable' (read 'strapless') foundation ;)

I forgot the camera again and didn't get any photos last night, but I will get some sometime during the run of the show. And I went to bed at about 10:30 last night; much better than 1:30 or 2 am!

ZZZZZzzzzzzzz......

We (Miss M and I...it was Miss A's birthday, so I told her not to come back to sew after her hubby took her to dinner. I won't even dock her paycheck... ;) ) worked until 12:30 AM this morning, and just as we were leaving church I thought of something important that I had to do when I got home. But, when I got home I couldn't remember at all what it was. I put some laundry in to wash, got myself a snack, read a bit (An Excellent Mystery, the 11th Brother Cadfael book) and still had no idea. About 2:15 I gave up and went to bed.

I still don't know what it was. Sigh.

I've got an awfully lot to do today. Final dress rehearsal is tonight. If I'm awake enough to hold a camera, I'll try to take some photos. It did occur to me that I could likely do a fair amount of hand sewing backstage; that's good, we've got a bazillion hooks and eyes to sew on things.

Your Basic Dickens Skirt

These are the directions I wrote last year for sewing volunteers who were helping us make skirts, slightly condensed and updated to include the drawstring,which we found to be pretty much a necessity. I thoughty I'd share them here, as this is pretty much what we did for all the skirts (except the Belle skirt...that was an exception) we made, regardless of the pattern for the bodice. I probably should add that from now on we will also be incorporating inseam pockets, just in case someone wearing the skirt should need a microphone transmitter at any time. Sorry I don't have any photos of the process...maybe later.

Directions for Sewing a Big Pouffy Skirt

This skirt works great on stage for early Victorian (i.e., Dickens- era) productions. It is a pull-on elastic waist skirt and quite simple; I’ve included directions for adding a drawstring to the elastic waist (increases size flexibility), but you can just put the waistband seam in the back and skip all the references to the drawstring if you prefer.

Fabric required: First, determine the skirt length:

Skirt Length = Waistline-to-floor measurement, plus 5/8” seam allowance at waist, plus desired hem allowance. (note: if a full slip is worn under the skirt, it will pull the length up a bit)

Waistband width = 2 x elastic width + 2 x 5/8” seam allowances (1 ¼”)+ ¼” casing ease. I recommend using elastic that can be sewn through, as you will sew through it twice to create the casing for the drawstring.

*Important Note* - If the lady who will wear your skirt has a hip measurement that exceeds the width of the fabric you will need to cut another strip the width of your waistband and piece them to the desired measurement, so you would have to add a second waistband width to the needed length of the fabric.

For 45” fabric, the fabric required will be 4 x the skirt length + the waistband width. For instance, my skirt length is: 41” (waistline-to-floor) + 2" hem  + 5/8” = 43 5/8”, which is just slightly less than 1 ¼ yds; I’m planning to use 1 ½” wide elastic (note: I suggest hefty elastic; this will be a heavy skirt) so my waistband width will be 1 ½ x 2 + 1 ¼” (5/8” seam allowances along the length)+ ¼” (turn-of-the-cloth allowance) = 4 ½” = 1/8 yd. So my skirt would require 4x 1 1/4yds + 1/8 yd = 5 1/8 yds…but I’d buy 5 ½ yards, in case it shrinks a bit in pre-washing, and also to allow for crooked cutting at the fabric store. (I’ve had to cut of a lot of fabric to square edges in the past!). For 60” fabric, the same formula applies, but you only have to multiply the waist-to-floor measurement by 3. (note: this will yield a skirt that is approximately 176” – 180” at the bottom.)

Cutting out the skirt:
Straighten the edges of the fabric before cutting, so that you have an on-grain line to cut on. The best way…albeit tedious…to do this is to pull a crosswise thread completely out of the fabric and carefully cut along the resulting void in the fabric. Of course, if you have a plaid, you can just cut along one of the horizontal bars.
From one straight edge, measure off the distance required for the width of the waist band (in my example above, that would be 4 ½”) and cut straight across the grain, either by pulling another thread or using a rotary cutter and ruler.

Now, for 45” fabric, measure and cut four Skirt Lengths as determined above
For 60” fabric, you only need three Skirt Lengths

Cut the waistband length on the cross grain such that
Waistband Length = hip measurement + 2” (for hip ease)+ 1/1/4” (5/8” seam allowances). The Waistband width was determined by the elastic width.

*Important Note Repeated* - If the lady who will wear your skirt has a hip measurement that exceeds the width of the fabric you will need to cut another strip the width of your waistband and piece them to the desired measurement.  The finished waistband circumference should be no less than 1" larger than the hip measurement.

You’re done cutting.

Skirt Construction: (Note: these directions are for conventional machines; if you have a serger, you’re probably advanced enough to figure it out the serger techniques for yourself)

Seams: Simply lay the right sides of the fabric together and sew all the panels together along the long, selvedge edges. The seam allowance width here is not important…just make sure you use the same one for all the edges and you include all the selvedge (the coarser woven part of the edge of the fabric) in the seam allowance. ½” will probably be sufficient, but sometimes the printing doesn’t go all the way to the edge and you may have to use as much as a ¾” allowance so as not to have a white line along the seam. Press the seams open.
For the seam that closes the waistband, choose one edge to be the ‘wrong side’ of the waistband and make a mark 3/4” from this edge on the seam line. Now, fold the waistband in half lengthwise and make a mark at the exact middle of that edge. Make another mark 1/8” in from the middle mark, on the same half of the waistband as the first mark. The first mark and the third mark show where to leave the opening to insert the elastic. Put right sides together, and sew the waistband seam, leaving the area between the two marks unsewn (backstitch securely at the marks; this opening will get stressed when you put the elastic in). Press the seam open and, for less aggravation later, machine baste the seam allowances down (this will keep them out of the way when you’re putting the elastic through) Fold the waistband in half lengthwise, WRONG sides together, and baste it ½” from the raw edge.

Attaching the skirt to the waistband is probably the most patience-requiring step!
First, quarter mark the waistband…fold it in half, with the seam on one fold. This will be Center Front, so the drawstring is easily accesible to the wearer. The other fold is Center Back; put a pin there to mark it. Then, re-fold the band so that the Center Back mark is matched to the seam and put pins on each of the resulting folds. Now you have the waistband marked into four equal lengths.

If you’re using 45” fabric, you have four seams already marking the quarter divisions and you’ll be matching the seams to the marks you made on the waistband. If you’re using 60” fabric, though, you’ll have one seam on the center back and you’ll have to fold the fabric just like you did the waistband to get the other three marks. Note that the Center Front mark will be in the center of the panel opposite the seam chosen to be Center Back.

Using your favorite method for gathering large amounts of fabric, gather the skirt pieces to the waistband, matching the quarter marks. The side of the waistband WITHOUT the opening in the seam will be the right side, which you will match to the right side of the skirt. For the 4-panel skirt, match any seam to the seam on the waistband…for the three panel skirt, match the seam to the Center Front mark . (this will be much easier if you turn the skirt wrong side out and pin it so that the skirt is outside the waistband).

Now, DON’T FORGET to set your sewing machine tension and stitch length back to normal, and slowly stitch the skirt to the waistband on top of the 5/8” gathering stitch.. When you’re done, pull the skirt off of the machine and clip the threads and inspect the seam you just sewed for puckers or other sewing errors…if you find any (the most common will be that fabric that shouldn’t be in the seam got caught in it), carefully unpick those stitches, straighten the fabric and re-stitch it. Once everything is stitched down well, remove any basting that shows on the right side and, for security’s sake (this is going to be a heavy skirt) stitch the seam again, right on top of the first stitching. Then, to finish the edge of the seam, zig-zag stitch the raw edges together. Press the waistband up away from the skirt, press the seam toward the waistband.

Now, cut the elastic so it is about three inches smaller than your HONEST waist measurement (it needs to fit snugly to support the weight of the skirt) NOTE:  If you're using very firm elastic w/ less than 1:1 stretch ratio, cut it a little larger..up to no more than 1/2" larger than the actual waist measurement, so that it's just slightly smaller than the waist after closing the circle.

Using a large safety pin or bodkin, thread the elastic through the casing, being careful not to twist it. When it’s through (again, make sure it’s not twisted) overlap the ends ¾” – 1” and sew them together, using a crossed box for security (sew a box over the overlapping portion of the elastic, then sew from one corner to the opposite corner, along the edge to the adjacent corner, and cross back to the opposite corner again). Stretch the waistband to pull the elastic completely inside. To make the drawstring casing, lengthen the stitch length and topstitch about 3/8” from the top edge all the way around the waistband, stretching the elastic to fit as you go. Repeat this step at about 3/8” above the waistband seam. This just keeps the drawstring from slipping around to the top of the waistband, which is uncomfortable and unattractive. Using a pin or a bodkin, thread the drawstring (cord, twill tape or ribbon) through the waistband. Remove basting stitches at the opening.

Now all you have left is the hem! First, zig-zag along the whole lower edge of the skirt to keep it from raveling (a better finish would be to press it under ½” and stitch it, but I’ll admit that would be tedious. Go for it if you feel patient) Put the skirt on over the pouffy slip with the shoes on you plan to wear, and have a sewing buddy (or just someone who’s around the house) pin mark the skirt ½” above the floor. Remove the skirt and measure the edge to the pin…that’s the hem you need. Press up the hem all the way around; you can fuse it down w/fusible webbing, or straight stitch it on the machine…that’s up to you. Fusible DOES come undone after a while...

Now, breath a sigh of relief…your skirt’s done!

Which Dwarf Am I?

Miss M and I worked until 12:45 AM Friday/Saturday to get what costumes were ready (and it was most of them...Belle is the only really noteable tardy) and pulled to the dressing areas at the other end of the building. She is a crossing guard with the city safety division and had to work the Rocket City Marathon yesterday; I was at Wal-Mart at 7 AM buying Febreze to spray the costumes down after rehearsal. But I was so busy tending costume issues that I didn't get dressed at all and went through my scenes in my street clothes. There are a few notes to deal with...a couple of skirts (including Belle's) need to be shortened about 2 inches, and Angel Two needs to have the side seams of her cloak opened from the shoulder to the waist so she can put her arms outside of it (I shoulda thought of it). And here's a note for future reference: every garment we make from now on will have a pocket in it that we can stick a microphone tranmitter in. Live and learn.

But I spent most of the day wondering if I were Sleepy, Grumpy or Dopey...or all three...

Next dress rehearsal Tuesday...Show opens Wendesday. I'll post some photos when I get a chance to take them.

Dress Rehearsal Tomorrow

Ack!
Gotta make at least one Belle bodice today; I got the girls into the muslins yesterday and saw what adjustments needed to be made; brought the patterns home after rehearsal last night and made the changes, so they're ready to cut when I get in this morning. Both of the girls needed extra length in the side and back; I think that's a pattern draft issue. But Miss A will be in and I do believe we'll tag team the construction somewhat. Belle 16 will wear the skirt/bodice tomorrow; I do have a backup dress for Belle 10, who doesn't play the part until Friday night's show. So we have a week on hers. Oh...and the Ruffle that Doesn't End has to be shortened 2". I'll have one of the extra helper ladies (I'm expecting at least one today) pin it up for me...then I'll cheat and run it through the Kenmore with the blind hem stitch.

To quote Ann Steeves, "This is costuming, not couture!"

You won't believe how many times I have told myself that this week. ;)

WIP - Belle's skirt

Still needs the rest of the poufs -- basically oversized fabric yo-yos -- at the top of the swoops. Fitting today (I hope!). If the bodice muslins basically fit I think I might actually make it by Saturday...

Making Haste Slowly

I'm determined to do it right so it doesn't come apart...but it's taking a lot of time. Dress rehearsal Saturday; I'm really going to have to push it to get both Belle bodices done. And that doesn't include the dustmen or the Angel of Christmas Yet to Come or the oddball trim/mend projects that are yet to be finished. But the skirt is done to the waistband and a wee bit of trim. It's gorgeous and it weighs a ton. Well, maybe not a ton...but I'm guessing it's a good 8 pounds!

At least both Miss M and Miss A have secured time off from work for the remainder of the week, so they are planning to come in and work. We'll get as much done as we can.

And I sat up till ??? this AM putting the Christmas letters in envelopes and putting the address labels on them. Christmas isn't waiting on me to get done, either.

Somebody Stop the Clock....

I commented to one of the set builders last night that, if this were last week, I'd consider myself to be in pretty good shape regarding the costumes. Unfortunately, it's not last week and I'm feeling rather behind. I got all the trim on the Belle skirt last night...omigosh, the fabric/lace combo is wonderfully Christmassy...but the skirt still isn't finished. I did manage to get the patterns for the bodices altered while I sat at home with ailing DD, so that was good, but her fever came back up last night so she will not be going to school today either. Somehow today I must get the skirt finished and bodice muslins cut and basted up so I can try them on the girls.

The show opens a week from tomorrow. I am taking deep breaths and praying a lot...

Lose One Turn

I had truly hoped to have the skirt portion of the Belle skirt finished and the muslins of the bodices ready for the girls to try on, but things were running slower than I'd hoped over the weekend. I did go in to church yesterday late afternoon -evening and got the big ruffle on the underskirt...it was all ready to put on and it still took THREE HOURS to gather that puppy and get it sewn down. So I was planning to go in early today and work hard.

Younger DD caught me this morning. "Mom, I don't feel good." She has a stomach-ache and a low grade fever (I think...I haven't found where we put the thermometers after the move. She feels a little warm.) So much for spending the day at church. I may leave her by herself at home just long enough for me to run down and get the bodice patterns and the measurement book; mayhap I can get the patterns altered and the muslins made at home.

Of course, I do expect stay at church Very Late tonight. Maybe I'll grab a nap sometime today...

Dem Bones

Finished putting the boning in my bodice last night; boy, is that stuff contrary! I used the pre-cased boning for it and tried to apply it with the curve of the boning following the body curves, but the stuff is twisting around inside the casing and rolling up. I guess it'll be held on tightly enough that the boning will be forced to conform to the curves underneath, but it is frustrating.

After I purchased this stuff, I read Kenneth King's article in a 10-year-old issue of Threads in which he recommends using Rigilene and 'stitching in the ditch' of the seams right through it. So I'm trying that for the Belle bodices...but perhaps I should suspend a weight from the ceiling using the currently rolled-up Rigilene to straighten it out a little? :p

The 'Twice Turned' Gown

Had a bit of email discussion regarding Dickens' description of Mrs Cratchit's dress as 'twice turned'. My grandmother (1905-1986) talked about turning her dresses when she was young, but she meant that when the front got dirty she put the dress on backwards so it looked clean again. That's not what Mrs Cratchit did! What 'turning' the dress referred to was the frugal practice of reversing the fabric so that shiny, beginning to wear down places or stains were turned to the inside. Of course, this meant that the dress was 1)carefully, completely unsewn 2) possibly sponged, but at least pressed out well, and 3)hand sewn completely back together with the reverse side of the fabric out. Talk about an extreme makeover! As Shannon Gifford mentioned in an email about this practice, it does imply that Victorian ladies had access to fabric of a much higher, sturdier quality than what we'd find at our local chain stores, for sure. It also implies that the fabric used was not a print, as it had to have looked roughly the same on both sides.

But it does explain why she stuck the ribbons all over her dress; probably to hide the spots that motivated her to turn the dress the FIRST time. With that in mind, I probably should've stuck a couple of ribbons on her elbows...that would've been one of the first places to wear out. I don't suppose anyone in the audience will think of that, though... ;)

Quite a foreign concept to our throw-away society, isn't it? Although my backwards-dress wearing grandmother, who used to repeat, "Use it up, wear it out. If it doesn't do, do without," would heartily approve.

Brave in Ribbons

"Cratchit's wife [was] dressed out but poorly in a twice-turned gown, but brave in ribbons, which are cheap and make a goodly show for sixpence."

Here are the before and after shots of Caroline Cratchit's dress; it was originally in one of the boxes that came from Florida. The collar is actually printed stretch lace; I had it draped differently for about 2 weeks before I went in Wednesday and changed it all up. The actress bought a small hoop slip to wear...not period, but when she spent a chunk of her own money, what can be said? I don't think the hoop'll be all that noticeable...I hope ;).

I should finish up Grandma Cratchit's dress today; I'm going to try to make a pelerine to go on it, which should be a good trick as I've only seen one or two pictures on the web of such a piece. It'll be my best guess approximation.

Tailed Coat

Hooray! The Saga of the Tailed Jacket finally moves to the next chapter...Sometime Sewing Gentleman Fellow Castmember will receive it today to finish. He's got to sew down the lining in the sleeves and at the back, add the buttons, tack the collar points down and remove the basting in the tail pleats. I can move on to my bodice now...when I'm not sewing at church, of course.